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ORGANIZER;CN=Center for Study of Women;SENT-BY="mailto:[log in to unmask]":m
ailto:[log in to unmask]
ATTENDEE;ROLE=REQ-PARTICIPANT;PARTSTAT=NEEDS-ACTION;RSVP=TRUE;CN=CSW-CSWAC@
lists.sscnet.ucla.edu:mailto:[log in to unmask]
DESCRIPTION;LANGUAGE=en-US:Dear CSWAC\,\n\nOur in-person\, winter CSWAC gen
eral meeting is confirmed! Lunch will be provided. Please RSVP by Thursday
\, 1/19/23 to help us get an accurate headcount.\n\nThursday\, 1/26/23 fro
m 12 – 1:30 pm\nRice Room\, 6764 Boelter Hall (see map[log in to unmask]\,-118.4449344\,17z/data=!3m1!5s0x
80c2bc862bab4d7f:0x774239b741b4817f!4m5!3m4!1s0x80c2bc88829ce92b:0x2a86030
1f429d90b!8m2!3d34.0692388!4d-118.4432392>)\n\nA more detailed agenda will
be forthcoming. Faculty mini-presentations will be given by:\n\nAnurima B
anerji\, Associate Professor\nWorld Arts and Cultures/Dance\nPresentation:
The Impossibility of Indian Classical Dance\n\nKristy Guevara-Flanagan\,
Associate Professor\nFilm\, TV and Digital Media\nPresentation: Body Parts
feature documentary\n\n\n\nBIOS:\n\nANURIMA BANERJI is Associate Professo
r and current Graduate Vice Chair in the Department of World Arts and Cult
ures/Dance. She is the author of the monograph Dancing Odissi: Paratopic P
erformances of Gender and State (Seagull Books/University of Chicago Press
\, 2019)\, recipient of the 2020 de la Torre Bueno Prize awarded by the Da
nce Studies Association. With Dr. Violaine Roussel\, she co-edited How to
Do Politics with Art (Routledge\, 2017). Currently she is working on a new
book project\, The Impossibility of Indian Classical Dance\, as well as c
o-editing The Oxford Handbook of Indian Dance with Dr. Prarthana Purkayast
ha.\nAs a poet and trained Odissi dancer\, Banerji shares the faculty’s
important goal of bridging the worlds of academia and art. Her research pr
incipally concerns critical historicizations of Indian dance and its relat
ionship to the state. Banerji’s work is situated in the fields of dance
and performance studies\, and informed by an intersectional and interdisci
plinary approach based on insights from postcolonialism\, critical race th
eory\, feminist and queer thought\, and studies of class\, regionalism\, a
nd religion in India.\nKRISTY GUEVARA-FLANAGAN has been making documentary
and experimental films about gender\, the Latinx community\, and represen
tation for nearly two decades. Her first feature-length film\, Going on 13
(2009\, Co-Directed by Dawn Valadez)\, covers four years in the lives of
four adolescent girls and premiered at the Tribeca Film Festival. Her next
feature\, Wonder Women! The Untold Story of American Superheroines (2013)
\, traces the evolution and legacy of the comic book hero Wonder Woman as
a way to reflect on society’s anxieties about women’s liberation. Her
following short\, What Happened to Her (2016) explores our cultural obsess
ion with images of the dead woman on screen. Guevara-Flanagan has won many
accolades for her newest short film\, Águilas (2021\, Co-Directed with M
aite Zubiaurre)\, about an all-volunteer organization that searches for mi
grants who go missing as they cross the border between Mexico and the Unit
ed States. Águilas won Best Short Documentary at SXSW and was subsequentl
y shortlisted for the Academy Awards. Her Sundance-supported feature docum
entary\, Body Parts (2022)\, continues her exploration on the themes of ge
nder and representation\, looking at the making of sex scenes in Hollywood
.\n\n\nBest\,\nRosa\n
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SUMMARY;LANGUAGE=en-US:CONFIRMED: CSWAC Winter General Meeting
DTSTART;TZID=Pacific Standard Time:20230126T120000
DTEND;TZID=Pacific Standard Time:20230126T133000
CLASS:PUBLIC
PRIORITY:5
DTSTAMP:20230104T191228Z
TRANSP:OPAQUE
STATUS:CONFIRMED
SEQUENCE:1
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